RARE & GLAMOUR ART HUB
Uncovering the Essence of Art & Immersing You With our Diverse and Inspiring Art Collections
Uncovering the Essence of Art & Immersing You With our Diverse and Inspiring Art Collections
Immerse yourself in the mystique of ancient Egypt with our exquisite collection of Egyptian antiques. From intricately detailed sarcophagi to mesmerizing statues of pharaohs, each piece encapsulates the rich symbolism and artistic mastery of this ancient civilization. Own a piece of history and bring the allure of ancient Egypt into your art collection.
This magnificent Egyptian Empire Bedroom Suite is a testament to the opulence and grandeur of 19th century Egyptian royalty. It is believed that this seven-piece suite was specially commissioned for the royal household and showcases the finest craftsmanship of the era.
Executed by the renowned Parisian ébéniste, Antoine Krieger, this bedroom suite is a true masterpiece. Each piece in the set is exquisitely designed and crafted with meticulous attention to detail. The suite includes a queen bed, secrétaire à abattant, cheval mirror, cabinet, vanity, and nightstands, offering a complete and cohesive ensemble for a luxurious bedroom.
Crafted from mahogany, the rich and elegant wood provides a beautiful foundation for the exceptional gilded bronze accents that adorn each piece. The Empire style, known for its bold and classical influences, is evident in the design of the suite.
The gilded bronze elements add a touch of glamour and sophistication, elevating the overall aesthetic of the furniture.
The queen bed serves as the centerpiece of the suite, with its grandeur and regal presence. The secrétaire à abattant offers a functional and stylish writing desk, while the cheval mirror provides a glamorous touch for dressing and grooming.
The cabinet, vanity, and nightstands offer ample storage space, all while maintaining the exquisite design and craftsmanship of the suite.
Owning this Egyptian Empire Bedroom Suite is like owning a piece of history and royalty. It is a testament to the lavish lifestyle of 19th century Egyptian elites and the skill of premier artisans like Antoine Krieger.
This suite is not only a functional and beautiful addition to any bedroom but also a symbol of luxury and refinement.
The grandeur of Regency design meets superb workmanship in this cast ormolu epergne. Three imposing sphinxes support each corner, reflecting the fascination with Egyptian antiquity brought about by the Napoleonic campaigns of the late 18th century, while scrolling foliate arms elegantly raise four antique cranberry glass dishes. The work relates to the output of the great English goldsmiths, Rundell, Bridge & Rundell, and is crafted after a design by architect Charles Heathcote Tatham. A motif originally created in 1801 for Tatham’s major patron, the 5th Earl of Carlisle, this creation illustrates the Regency era's taste for elaborate, bold forms incorporating elements from the ancient world.
Intricately cast, chased and engraved with clear Egyptian influences, the centerpiece bears the hallmarks of masterful workmanship throughout. The craftsman was obviously well versed in Tatham’s published designs as illustrated in the architect’s tome Design for Ornamental Plate. In fact, the design of the base of this very epergne is illustrated within the pages and captioned “A Piece of Plate designed and executed in Silver for the Earl of Carlisle in the year 1801.”
These majestic pieces illustrate the far-reaching design influences of Napoléon’s Egyptian campaign, which not only had a strategic military objective, bu talso marked the unprecedented beginning of the first extensive study into the history of Egypt. Tatham, in particular, was fascinated by the findings of these expeditions. He took advantage of the new-found popularity in Egyptian motifs and melded them into designs he had studied personally in Rome to create a unique oeuvre that emphasized the beauty of antiquity. From the winged sphinxes and bacchanal masks to classically-inspired figural reliefs, the influence of great ancient civilizations prevails.
Circa 1805
24" wide x 21" deep x 18 3/4" high
Isetnofret ("the beautiful Isis") was one of the Great Royal Wives of Pharaoh Ramesses II and was the mother of his successor, Merneptah. She was one of the most prominent of the royal wives, along with Nefertari, and was the chief queen after Nefertari's death (around the 24th year of the pharaoh's reign).
This shabti is named for the Queen, and is modelled in bright white faience, under a transparent glaze, with red-glazed hands and face and details in black pigment. Shown mummiform, and adorned with a wide usekh collar, the Queen wears a short wig with curled sidelock (wick of youth) and holds agricultural implements in each hand. There is a seed sack on the back, and a vertical column of text inscribed on the front naming "Iset-Nofret" (lsis-Nefret), the royal spouse (of Ramses II), and the mother of Khaem-waset, as the owner: "Illuminate the Osiris of the King's wife, Isis-Nefret, justified".
Isetnofret is known from several inscriptions and small statues. She is not well attested before Year 25 of Ramesses II, when she became his principal wife. Most of the items and scenes mentioning Queen Isetnofret seem to be associated with her sons Ramesses, Khaemwaset and Merenptah. Her titles include: Hereditary Princess (iryt-p`t), Great of Praises (wrt-hzwt), King’s Mother (mwt-niswt), Mistress of the entire Two Lands
Depicted mummiform with the arms folded over the chest, holding agricultural implements in each hand, a seed bag over the shoulders, wearing a tripartite wig and long false beard, the apron incised with a cartouche with the pharaoh's nomen.
Psusennes I was the third pharaoh of the 21st Dynasty who ruled from Tanis between 1047 and 1001 BC. He was the son of Pinedjem I and Henuttawy, Ramesses XI's daughter by Tentamun. He married his sister Mutnedjmet.
Psusennes's tomb, discovered in 1940, is notable for the condition in which it was found. Almost all pharaonic tombs were entirely graverobbed but Psuennes's tomb was one of only two royal tombs discovered in fully intact condition. However, the humid climate of Lower Egypt meant only the metal objects had survived. The king's magnificent funerary mask, made of gold and lapis lazuli and held inlays of black and white glass is considered one of the masterpieces of the treasures of Tanis.
During his long reign, Psusennes built the enclosure walls and the central part of the Great Temple at Tanis which was dedicated to the triad of Amun, Mut and Khonsu. He was ostensibly the ruler responsible for turning Tanis into a fully-fledged capital city, surrounding its temple with a formidable brick temenos wall with its sanctuary dedicated to Amun being composed of blocks salvaged from the derelict Pi-Ramesses. Many of these blocks were unaltered and kept the name of Pi-Ramesses' builder, Ramesses II, including obelisks still bearing the name of Ramesses II transported from the former capital of Pi-Ramesses to Tanis.
